2nd YEAR STUDIO / CULTURAL HOUSE IN SAULKRASTI
On the 28th of May students of the second year of Riseba FAD presented their concepts and projects for the Cultural House in Saulkrasti at the Saulkrasti City Council. Together with the tutors of the studio, special jury was invited to review the projects - architects Bert Gellynck, Kelly Nelson and representative of City Council - Normunds Līcis.
1st YEAR STUDIO / LAT HOUSE (Living Apart Together)
On 27th of May, the first year students of RISEBA FAD presented their final projects for a family house in Ķīpsala. Together with the tutors of the studio, visiting jury members were invited to review the projects - Cynthia Markhoff, Kelly Nelson and Zaiga Gaile. The jury of the final project will be the apotheosis of one year of intensive work performed by the first year students of the RISEBA FAD. In the faculty the design studio is the central place where students can explore and experiment with the design of architecture, a place where we are “thinking by making”, a process in which rationality meets intuition and culture meets engineering.
RISEBA augstskolas Arhitektūras programma Atvērto durvju ietvaros piedāvā arhitektūras meistardarbnīcu vidusskolniekiem, topošajiem arhitektūras studentiem. Meistarklases laikā dalībniekiem būs iespēja, iepazīt skolu, gūt pieredzi un iemaņas strādājot arhitektu darbnīcā, veidot telpiskus modeļus un koncepcijas. Meistarklasi vadīs RISEBA FAD arhitektūras dizaina pasniedzēji Cynthia Markhoff (UNStudio, Amsterdama) un Oskars Redbergs (Arhitektūras programmas direktors).
Henrijs Vigo Lācis (24.12.1929.-14.07.2012.) pazīstams kā būvinženieris, kurš projektējis Latvijā daudzas nozīmīgas ēkas. Arhitektūra ir inženieru pūliņu spogulis, jo viņu veikumu tīrā veidā nereti ir grūti parādīt. Visbiežāk tieši šī iemesla dēļ būvinženieru darbs negūst tādu ievērību kā arhitektu veikums, lai arī tieši inženieri ir tie, kas arhitektu domu spārnoto lidojumu padara realizējamu.
Two days, in February 25 and 26, first year architecture students participated in the scenography workshop led by young, well recognized and experienced set designer Reinis Suhanovs. After reading A. Chekhov's "The Seagull" they had a task to translate two different atmospheres from the play into the stage design concept.